0.22 Tirohanga
Between 1950 and 1952, the Uruguayan essayist, critic and writer José Pedro Díaz created a film diary with images that display a range of diverse interests: social observation, the portrait of the artistic-intellectual community in Europe and a look at domestic cinema from travels, portraying his wife, the poet Amanda Berenguer. As a perfect complement he also had a literary diary. Both form a unique testimonial chronicle: how to read the script and see what was filmed. This documentary deals with that lesser-known area of Díaz's work.
Tuku: Dec 08, 2021
Rima: 70 meneti
Reo: Español
Studio: Cordón Films
Whenua: Argentina, Uruguay
Maka:
