2.476 Tirohanga
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Tuku: Oct 22, 2022
Rima: 11 meneti
Reo: Español
Studio:
Whenua: Mexico